Wednesday, September 21, 2011

House of Flying Daggers [Blu-ray]


  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
(Action) A cross between Shakespeare’s Hamlet and Tarantino’s Kill Bill, scheming royals and other officials attempt to consolidate power in a empire in chaos. Packed with deadly plots, sweeping camerawork, and elaborate fight choreography.Tackling William Shakespeare's Hamlet, director Xiaogang Feng presents a unique take on the bard's famous play with the action drama Legend of the Black Scorpion, which is beautifully filmed and well acted. Ziyi Zhang stars as Empress Wan, a conniving woman whose beauty is equaled by her taste for power. She lustfully longs for her stepson Wu Lan (Daniel Wu). But when the Emperor dies, it is Wu Lan's younger brother who ascends to the throne, setting off a chain of events that are tragic. Though the story is familiar, the presentation is anyt! hing but; just as Hamlet captivated readers with its tale of lust, greed, and betrayal, Legend of the Black Scorpion draws viewers in with a story that is both fascinating and repulsive, but shot so beautifully that the eyes are drawn to the screen. Legendary fight choreographer Woo-ping Yuen (Crouching Tiger, Hidden Dragon, the Matrix trilogy) orchestrates some beautifully fierce aerial battles that while no longer novel are still thrilling to watch. We are used to seeing Zhang in the wide-eyed ingénue roles. As the cold-hearted matriarch, she more than proves her abilities as an actress who is ready to move onto meatier roles that aren't driven by her beauty. --Jae-Ha KimThe story of a man's parents' courtship unfolds when he comes home to bury his father.
Genre: Foreign Film - Chinese
Rating: G
Release Date: 27-NOV-2001
Media Type: DVDAt the start of the most recent film from Chinese director Zha! ng Yimou (Raise the Red Lantern, Ju Dou, Shan! ghai Tri ad), a young man returns to his native village after the death of his father, the village's schoolteacher, who died while trying to raise money for a new schoolhouse. His body is in a neighboring town; the young man's mother insists that it be brought back on foot, lest his spirit not find his way home. From this starting point, the young man recounts the tale of his parents' courtship, which involved a red banner, mushroom dumplings, a colorful barrette, and a broken bowl. The Road Home is beautifully filmed, particularly the luminous face of Zhang Ziyi (from Crouching Tiger, Hidden Dragon), whose performance is a heartrending portrait of hope and yearning. A simple but deeply emotional film. --Bret Fetzer"Prepare your eyes for popping," in this "martial-arts fireball that throws in a lyrical love story, head spinning fights and dazzling surprises" (Rolling Stone). "A gorgeous entertainment" (A.O. Scott, New York Times). Mei is an exotic, beautiful ! blind dancer, associated with a dangerous revolutionary gang, known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty, Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here, her heart and loyalties battle each other, amid warriors in the treetops and dazzling combat - the likes of which have never before been seen!No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying! Daggers (named for their weapon of choice, a curved blade tha! t swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer

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