- Heavy stock ivory paper
- Embossed Dragonfly on cover
- Handmade craftsmanship
- Acid-Free, archival writing paper
- Measures 5x7"
Knowing he's not well, Tyler asks his friend to plan a "comedy funeral" for him where people leave feeling happy, as they do at Chinese funerals of the elderly. When Tyler eventually falls into a coma, YoYo begins the task of granting Tyler's last wish.
However, when the costs of his spectacular funeral spin wildly out of control, can YoYo hold it all together by selling prime ad space at this unique event to be televised around the world? And more importantly for YoYo, can he convince Tyler's lovely assistant Lucy that he isn't just selling Tyler out! to the highest bidder?
That's the world of BIG SHOT'S FUNERAL: a zany, satiric comedy capturing the dizzy excitement and whirlwind change of modern-day China.Eastern religion collides with Western capitalism in Big Shot's Funeral, a satirical comedy about a cameraman named Yoyo (Ge You) hired to shoot a making-of documentary about a world-famous director (Donald Sutherland), who's creating a sequel to Bertolucci's The Last Emperor. When the director has a stroke and goes into a coma, the director's assistant Lucy (Rosamund Kwan) commissions Yoyo to organize the director's funeral. At a loss, Yoyo asks for help from a friend who promotes concerts--and before long the funeral has turned into a vast media spectacle with product placement running amok, so absurd that when the director recovers, he refuses to let Lucy stop the funeral because he's so enchanted. Big Shot's Funeral entertainingly mixes sweetness and dark humor as it interlaces a! romance between Yoyo and Lucy with the escalating madness of! the fun eral. --Bret FetzerEastern religion collides with Western capitalism in Big Shot's Funeral, a satirical comedy about a cameraman named Yoyo (Ge You) hired to shoot a making-of documentary about a world-famous director (Donald Sutherland), who's creating a sequel to Bertolucci's The Last Emperor. When the director has a stroke and goes into a coma, the director's assistant Lucy (Rosamund Kwan) commissions Yoyo to organize the director's funeral. At a loss, Yoyo asks for help from a friend who promotes concerts--and before long the funeral has turned into a vast media spectacle with product placement running amok, so absurd that when the director recovers, he refuses to let Lucy stop the funeral because he's so enchanted. Big Shot's Funeral entertainingly mixes sweetness and dark humor as it interlaces a romance between Yoyo and Lucy with the escalating madness of the funeral. --Bret FetzerDVD-Eastern religion collides with Wester! n capitalism in Big Shot's Funeral, a satirical comedy about a cameraman named Yoyo (Ge You) hired to shoot a making-of documentary about a world-famous director (Donald Sutherland), who's creating a sequel to Bertolucci's The Last Emperor. When the director has a stroke and goes into a coma, the director's assistant Lucy (Rosamund Kwan) commissions Yoyo to organize the director's funeral. At a loss, Yoyo asks for help from a friend who promotes concerts--and before long the funeral has turned into a vast media spectacle with product placement running amok, so absurd that when the director recovers, he refuses to let Lucy stop the funeral because he's so enchanted. Big Shot's Funeral entertainingly mixes sweetness and dark humor as it interlaces a romance between Yoyo and Lucy with the escalating madness of the funeral. --Bret Fetzer
The latest Dirty Harry is actually a grumpy Walt: Walt Kowalski (Eastwood playing his own age), widower, Korean War veteran, retired auto worker, and the last white resident of his Detroit side street. It's hard to say who irks him more--his blood kin (a pretty lame bunch) or the Hmong families who are his new neighbors. Kowalski's a racist, because it has never occurred to him he shouldn't be. Besides, that's the flipside of the mutual ethnic baiting that serves as coin of affection for him and his working-class buddies. Circumstances--and two young people next door, the feisty Sue (Ahney Her) and her conflicted brother Thao (Bee Vang)--contrive to involve Walt with a new community, and anoint him as its hero after he turns his big guns on some ruffi! ans. The trajectory of this may surprise you--several times ov! er. East wood opted to film in economically blighted Detroit--a shrewd decision, but it's his mapping of Walt's world in that classical style of his that really counts. Every incidental corner of lawn, porch, and basement comes to matter--and by all means the workshop/garage that houses the mint-condition Gran Torino which Walt helped build in a more prosperous era. This is a remarkable movie. --Richard T. Jameson
