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Between 1539 and 1542, two thousand indigenous Mexicans, led by Spanish explorers, made an armed reconnaissance of what is now the American Southwest. The Spaniards' goal was to seize control of the people of the region and convert them to the religion, economy, and way of life of sixteenth-century Spain. The new followers were expected to recognize don Francisco Vázquez de Coronado as their leader. The area's unfamiliar terrain and hostile natives doomed the expedition. The surviving Spaniards returned to Nueva España, disillusioned and heavily in debt with a trail of destruction left in thei! r wake that would set the stage for Spain's conflicts in the future.
Flint incorporates recent archaeological and documentary discoveries to offer a new interpretation of how Spaniards attempted to conquer the New World and insight into those who resisted conquest.
A young woman's visit to Switzerland to surprise her fiance` finds only an empty post office box and clues that lead her to a secret military installation in Central America. Things are not what they seem as she and a seasoned reporter get caught up in the action of a political revolution.DVD Features:
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Along with completely original material, this new collection is a compilation of the best of Dennis Lehane's previously published short fiction, including "Until Gwen," which was adapted for the stage in 2005 and appears in this book as the play Coronado. By turns suspenseful, surreal, romantic, and tragically comic, these powerful ! tales journey headlong into the heart of our national mythsâ"! and reve al that the truth awaiting us there is not what we would expect.
Along with completely original material, this new collection is a compilation of the best of Dennis Lehane's previously published short fiction, including "Until Gwen," which was adapted for the stage in 2005 and appears in this book as the play Coronado. By turns suspenseful, surreal, romantic, and tragically comic, these powerful tales journey headlong into the heart of our national mythsâ"and reveal that the truth awaiting us there is not what we would expect.
Along with completely original material, this new collection is a compilation of the best of Dennis Lehane's previously published short fiction, including "Until Gwen," which was adapted for the stage in 2005 and appears in this book as the play Coronado. By turns suspenseful, surreal, romantic, and tragically comic, these powerful tales journey headlong into the heart of our national mythsâ"and reveal that the truth await! ing us there is not what we would expect.
40mm aperture, dedicated Ha telescope with 30mm internal etalon. 20mm Kellner eyepiece. 400mm FL. <1A bandwidth.
Luce would die for Daniel.
And she has. Over and over again. Throughout time, Luce and Daniel have found each other, only to be painfully torn apart: Luce dead, Daniel left broken and alone. But perhaps it doesnât need to be that way. . . .
Luce is certain that somethingâ"or someoneâ"in a past life can help her in her present one. So she begins the most important journey of this lifetime . . . going back eternities to witness firsthand her romances with Daniel . . . and finally unlock the key to making their love last.
Cam and the legions of angels and Outc! asts are desperate to catch Luce, but none are as frantic as D! aniel. H e chases Luce through their shared pasts, terrified of what might happen if she rewrites history.
Because their romance for the ages could go up in flames . . . forever.
Sweeping across centuries, Passion is the third novel in the unforgettably epic Fallen series.
THE THRILLS KEEP COMING. THE PLOT KEEPS TWISTING. THE SUSPENSEKEEPS GROWING. HOMICIDE DETECTIVE JOHN HOBBES HUNTS A SATANIC FORCE THAT SHIFTS FROM ONE HUMAN HOST TO ANOTHER IN THIS TAUT,TERRIFIC SUPERNATURAL THRILLER.Although it received mixed reactions from critics and audiences alike when released in 1998, this supernatural thriller benefits from a sustained atmosphere of anticipation and dread, and its combination of detective mystery and demonic mischief is handled with ample style and intelligence. Under the direction of Gregory Hoblit (who fared better with Primal Fear), Denzel Washington plays detective John Hobbes, who witnesses the gas-chamber execution of a s! erial killer (Elias Koteas). But when another series of murders begins, Hobbes suspects that the killer's evil spirit has survived and is possessing the bodies of others to do its evil bidding. Even Hobbes's trusted partner (John Goodman) thinks the detective is losing his grip on reality, but the dire warnings of a noted linguist (Embeth Davidtz) confirm Hobbes's far-out theory, and his case intensifies toward a fateful showdown. Although its idea is better than its execution, and the story's film noir ambitions are never fully accomplished, this slickly directed thriller has some genuinely effective moments in which evil forces are entwined into the fabric of everyday reality. Among the highlights is a memorable scene in which Detective Hobbes must track the killer as the evil spirit is transferred between many people via physical contact. Even if the film is ultimately less than the sum of its parts, it's an intriguing hybrid that resides in the same cinematic neighborho! od as Seven and The Silence of the Lambs with a ! cast tha t also includes Donald Sutherland and James Gandolfini. --Jeff ShannonThere's something achingly familiar about Daniel Grigori.
Amazon.com: Luce and Daniel's story is very romantic. What inspired you to write a love story between a human and an angel?
Lauren Kate: Iâve been writing love stories for as long as Iâve been writing. To me, the most complicated romances make the most interesting narratives, so Iâm always looking for new obstacles to throw in my loversâ paths. When I was getting my masters degree in fiction, I was studying biblical narratives and came across a line in Genesis (6:1-4), which describes a group of angels who fell in love with mortal women. Putting this reference together with a mention in Isaiah and another in Palsm 82, biblical scholars conclude that these angels were actually cast out of Heaven for their lust. Wh! ich means--you could say--that these angels chose love over Heaven. I found this to be an endlessly interesting set up for an incredibly complicated romance. I started thinking about what kind of mortal girl it would take to attract an angelâs attention. And what it would be like for her to find herself in this position. What kind of baggage would an angel have? What would her very over-protective parents think? From there, this whole world unfurled in my head with fallen angels, demons, reincarnation, and the war between good and evil all battling for a piece of the action.
Amazon.com: We've been wondering about the "mechanics" of Luce and Daniel's story (for lack of a better word). Does Daniel age? Or does he stay seventeen forever (while Luce grows older)? And with that said, what does he do while Luce is growing up in each of her lives? What was he doing before he met Luce in this life?
Kate: Whatâs important about angels is not th! eir bodies but their souls. In their purest forms, theyâre a! ctually genderless, but for my story to work--for the angels to come down to earth and interact with mortals--they all assume human bodies and attach themselves to human genders. Daniel is eternal and will live on forever, but the body Luce sees him in (gorgeous as it is) is really just a shell for the soul that she loves. Thereâs not the feeling of a ticking clock in the background as there might be with, say, a vampire story. Right now Iâm writing Passion, the prequel where weâll see Luce and Daniel in a dozen other lifetimes, so Iâm exploring a lot of these mechanics (a great word for it, by the way) between the angelâs bodies and souls.
The way Daniel occupies himself in between Luces varies from life to life. His soul is least at rest just after sheâs died, before sheâs incarnated into another life--when she is âin between.â During her lives, even when he isnât with her, he is always aware of her age, what sheâs going through, how she! âs doing. He has a sort of internal Lucinda clock. Sometimes he meets her as a child, sometimes he tries to stay away from her as long as possible, to give her as much of a life outside of him as he can. In the years leading up to the life where they meet at Sword and Cross, Daniel was living on Skid Row in Los Angeles.
Amazon.com: Fallen and Torment talk a lot about the history of Heaven and Hell, the different classes of Angels, and the rules of human-angel interaction. Obviously these themes are explored heavily in religious texts, but were there other sources that informed your story?
Kate:Itâs interesting because there is actually very little in the Bible about angels--a few mentions in the Old Testament, a few more in the new. And the mentions that we do have are often vague or contradictory. Most of what we think of when we think of angels today comes from secular or cultural contexts. Seventy-five percent of it! might have come from Milton alone. I worked with a biblical s! cholar a t UC Davis who pointed me toward some apocryphal texts (books written during the same as the bible, but which were not included in the book when the canon was closed). Books like Enoch 1-3 and the Dead Sea Scrolls are chock full of angel references. I also read a trilogy on Satan and a book called the A History of Heaven both by Jeffrey Burton Russell, as well as a great book by Harold Bloom called Omens of the Millennium.
I got so engrossed in all of the research I did for Fallen that I had a hard time knowing when to stop reading and when to start writing. I had to realize that it was okay for me to pick and choose things from various accounts, to look past contradictions, and to come up with my own angel mythology. Thatâs what Milton did, after all!
Amazon.com: What is Cam's deal? We're not convinced that he's totally evil--in Fallen, he seemed to be trying to protect Luce by keeping her away from Daniel! , and in Torment he and Daniel reach a mysterious truce, again to protect Luce. Will we be seeing more of him in book 3?
Kate:Speaking of Milton, isnât it fascinating that Satan is the most interesting character in Paradise Lost? From the start of this series, I have wanted to test the boundaries between what is âgoodâ and what is âevil.â How and when do those terms get applied? Are they black and white or is there some flexibility along the spectrum? Obviously itâs much more interesting if Heaven and Hell/good and evil work as binaries: opposites that orbit each other and are pulled toward each other with a mutual gravitation. We see that at the end of Fallen and in Torment with Daniel and Camâs truce. The idea that good and evil rely on each other is as old as the oldest dualistic religion, Zoroastrianism (on whose shoulders both Judaism and Christianity stood).
So yes, there is more to Cam tha! n pure evil! (Especially since his character--the charming sid! e of his character anyway--was based loosely on my husband.) Weâll see a lot of him in Passion and will even begin to understand how he got where he is today.
Amazon.com: Can you tell us a little bit about book 3? Will we find out more about Luce and Daniel's past lives?
Kate:Passion is going to be the craziest, coolest book Iâve ever written! Iâm halfway through the first draft right now and it is so rewarding to finally get to delve into Luce and Danielâs past lives together. The history these two share is the stuff of epics, and I am learning so many new things about them as I write. For any reader out there feeling tortured by the teasing hints of so many thrilling past lives: Passion is your book! Everything--well, almost everything--will be illuminated.
The Fallen quartet, now published for the first time in two action-packed bind-ups, chronicles an epic struggle, where the fate of the world rests on the outcome of one teenâs monumental quest. The Fallen 1
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Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out for revenge. To protect Craig, Craig's father (John Witherspoon! ) sends his son to stay with his Uncle Elroy (Don "D.C." Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines, though funny lines abound; he writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughl! y enjoyable. --Bret Fetzer
Friday After Ne! xt
Ice Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret FetzerTitles include: Friday, Next Friday, Fr! iday After Next, All About The Benjamins Friday
Friday is the rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they ar! e being caricatured, a true achievement in the crass, "booty ! call" e nvironment of '90s African American comedy. --Ethan Brown
Next Friday
Ice Cube wrote and stars as Craig in this sequel to Friday, which he also wrote. His nemesis from that film, neighborhood bully Debo (Tommy "Tiny" Lister Jr.), has just escaped from county jail and is out to get revenge. To protect Craig, Craig's father (John Witherspoon) sends his son to stay with his Uncle Elroy (Don "DC" Curry), who won the lottery and bought a house in Rancho Cucamonga. Craig expects the suburbs to be dull, but no sooner has he arrived than conflicts arise: The neighbors are hostile hoods, his cousin's girlfriend is out for blood and child support, and the house is about to be seized because of unpaid taxes. It's up to Craig and his cousin Day-Day (Mike Epps) to solve these problems before the day is over. It's a rambling, loose movie, but a genuinely entertaining one. Ice Cube doesn't write punch lines--though fun! ny lines abound. He writes richly comic characters that speak in virtual arias of bragging, complaining, and scamming. Sure, some of the characters are stereotypes and many of the jokes are about drugs and scatology--but that's been the basis of humor since Plautus and Molière. The rhythmic energy of Ice Cube's dialogue and the easy charisma of his performance make Next Friday thoroughly enjoyable. --Bret Fetzer
Friday After Next
Ice Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installme! nt, loaded with preening stereotypes and half-hearted low hu! mor; Cub e generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, their performances as ornate and ritualized as a Japanese Noh play. But if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret Fetzer
All About the Benjamins
Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The p! lot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. --Ali DavisIce Cube (Barbershop) uses his relaxed, raffish charm to glide through the third movie in his Friday series. As Craig (Cube) and Day-Day (Mike Epps) sleep in the wee hours of Christmas Eve, a burglar dressed like Santa Claus breaks in and steals their presents and rent. Thus begins a classically bad day full of unsympathetic family members, obnoxious neighbors, squealing pimps, pot smoking, and sexy babes. No one's going to win any awards for this sloppy installment, loaded with preening stereotypes and half-hearted low humor; Cube generally plays straight man and lets the rest of the cast screech, yowl, and contort their faces, t! heir performances as ornate and ritualized as a Japanese Noh ! play. Bu t if you're a fan, Friday After Next will give you a modest dose of Cube's goofy humor. John Witherspoon and Don "D.C." Curry return as Craig's eternally disgruntled father and uncle. --Bret FetzerJust another day. But what a day. A day that shows a lighter side to life in the âhood. That brought Ice Cube (Barbershop) and Chris Tucker (Rush Hour) to a wider audience. And thatâs now even more uproarious in an Extended Directorâs Cut never before available. Itâs Friday, and Craig (Cube) and Smokey (Tucker) must come up with $200 they owe a local bully or there wonât be a Saturday. Co-writer Cube, director F. Gary Gray and other innovative movie talents lace the plot with shrewdly hilarious looks at family (including John Witherspoon), a preacher (Bernie Mac), a girl-next-door (Nia Long) and all manner of the good âNâ bad of life in South Central. This is keepinâ-it-real comedy for every day of the week.Friday is the rarest specimen of Af! rican American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown!
